Artwork, release details, tour dates
For artists, labels, promoters and organisers launching a record, film, book or festival, this page puts the release, its story, live dates, merchandise and one mailing-list enquiry route in one campaign.
Switch devices, scroll the full page, or open the live demo. This is the exact layout, photos and sample text a new page starts with.
The headings are the demo's own sample text. Your brief, or the AI copy pass, replaces them; the structure stays.
Louder Than Yesterday
Tracklist
Pre-order
First to know
Limited edition
The grain store
Music for a brighter tomorrow
The film
The stall
Record Launch Campaign is for a release that people need to see, understand and remember before they act. It suits a record, film, book or festival where the artwork carries part of the message, where there is a list of material to explore, and where live dates matter alongside the release itself.
A generic business page can make every offer feel the same. This template is built around a particular release cycle instead. It gives the main work a large opening statement, then makes room for the tracklist or equivalent contents, pre-order information, notes from the making of it, mailing-list signup, tour dates and merchandise. That sequence is useful when the campaign has several reasons for someone to stay on the page.
The goal is an enquiry through the page’s signup form. The release can therefore lead with its name and artwork while still collecting a list of people who want to hear first. For a club night, the same structure can centre the line-up and dates. For a zine, it can make the issue, contributors and limited edition the focus.
The Hero opens with the release title, a short line beneath it and a collage of photographs. This is where the campaign needs its clearest name, its main artwork or image set, and one sentence that establishes the feeling or premise. The opening also includes a short list, so it can introduce the key parts of the release without trying to explain everything at once.
Record follows with Tracklist, a release photograph and a numbered list. For an album, this is the place for track names and the details that belong with them. For a film, book or festival, the same list can become chapters, screenings, contributors or programme entries. The important job is to give people a concrete view of what the release contains.
Preorder comes next. Its call to action is Get the link. The business needs to decide what that link is for and ensure the destination exists before publishing. It may be a pre-order route, a release link or another relevant destination, but the wording and offer need to match.
Notes provides a short visual pause with photographs. It is a useful place for a small piece of release context rather than another sales message. Join then brings the page back to the central enquiry goal. It is headed First to know, includes the line Tell us where to send it., a photograph and the enquiry form. The offer behind that form should be specific: early release news, tour announcements, a link when it is ready, or another clear reason to join.
Tour gives the campaign a dated list of appearances and uses the button Get tickets. This band needs real event information and ticket destinations that are ready to use. It can serve an album tour, festival programme, film dates or a run of club nights. If there are no live dates, this is not a band to fill with vague promises; another template may be more suitable.
Sound is a compact band with a photograph and a short list. It can hold the named pieces of audio or equivalent release material. Band gives space to introduce the people behind the work through photographs and supporting copy. Box is headed Limited edition and ends with Put me on the list. It needs a genuine limited offer or edition and a clear explanation of what joining that list means.
Journal, headed The grain store, is the longer editorial section. It is for a story from the making of the work: a recording session, a location, a contributor, a production decision or a piece of background that gives the release context. Poster returns to a single statement and image. Video, headed The film, supports a film element with images and a short list. Finally, Merch is headed The stall and labelled Official merch. It is for showing merchandise as part of the campaign, without turning the page into a shop.
The template offers the Riot, Ultra, Neon and Xerox colour schemes. Choose one that fits the artwork already used for the record, event or publication. The page is photo-led and bold, so the visual material should be decided early rather than treated as an afterthought.
The default type pairing is Anton for display text and Archivo for body copy. Alternatives include Permanent Marker with Archivo and IBM Plex Mono with Archivo. Anton suits a direct, large-title approach. Permanent Marker can change the character of the title treatment, while IBM Plex Mono introduces a more technical display face. The body copy remains Archivo in each listed pairing.
The page uses 26 photographs across the campaign. The Hero carries the largest set. Images also appear with the Tracklist, Notes, signup, Sound, Band, Limited edition, Journal, Poster, Video and Merch bands. Prepare a coherent set rather than repeating one cover image everywhere: release artwork, artist or contributor images, live material, product photographs and images from the making of the work can each have a place where they support the copy.
Starting from this template costs no credits. The copy can then be rewritten with AI for about 20 credits. A good brief names the release, the business or artist, the date or campaign stage, what is included, the live dates that are confirmed, and the outcome wanted from the mailing list.
It should also state what the pre-order link leads to, what the ticket button should support, and whether there is a limited edition worth listing. Give the AI the actual tone required. A small label may need a different voice from a festival promoter or a film release. The best source material is specific: titles, places, dates, names and the real story behind the work.
Write the release title and opening line first. Then prepare the ordered contents for Tracklist or its equivalent, the destination for Get the link, and the signup promise for First to know. Confirm the tour list and ticket destinations before using the Tour band.
Gather the campaign photographs as one set. The page needs cover or release imagery for the opening, images for the editorial bands, people for Band, and material for the merchandise and video areas where relevant. Write the Journal story from a real session, place or process. Finally, decide whether the limited edition is real and what people receive by joining its list.
For a club night, make the Hero about the night’s name and premise. Use Tracklist for the line-up or programme, Tour for the dates, and Journal for venue or promoter context. Keep the signup offer tied to future nights or announcements.
For a small label, make the release the centre of the page and use Band for the artists or contributors. The numbered list can describe tracks or catalogue material, while Box can hold a genuine limited edition. The tour section should only carry dates attached to the release.
For a zine or book launch, turn Tracklist into contents or contributors. Use Journal for the editorial story and Merch for related printed items. The film band can support a short film element if there is one; otherwise its role should be considered before publishing.
Artist Album Tour is a closer fit when the campaign is chiefly about an artist’s album and tour. Concert Tour Dates suits a page led primarily by a run of live dates. Nostalgic Film Release is worth considering when a film, rather than a record or event, is the central release. Music Release Promotion is another route for a music-specific campaign. Browse the events templates for the wider set.
Starting from the theme costs no credits. Or describe the offer and the AI draws a new page in this style, usually in about two minutes.