Tour dates, concert film, release news
Concert Film Tour is for artists and teams announcing a European run alongside a concert film, record or wider release, bringing dates, road notes and audience sign-up into one photo-led page.
Switch devices, scroll the full page, or open the live demo. This is the exact layout, photos and sample text a new page starts with.
The headings are the demo's own sample text. Your brief, or the AI copy pass, replaces them; the structure stays.
Zarae
Europe 2026
More than a concert
In numbers
Who made it
On the road with us
Good to know
The records
Notes from the road
Before the show
Join the journey
Concert Film Tour is built for a release that has more than one date attached to it. It gives an artist or team a place to announce an arena run, residency, gala, concert film or live record without splitting the story across separate pages. The opening makes the artist and tour name the starting point. The rest of the page can then move between the road, the film and the records behind it.
A generic events page can make a tour feel like a diary of dates. That can undersell a project where the performances are part of a larger release. This template makes room for the live schedule, the people involved, practical show information and notes from the road. It is a useful fit when ticketing matters, but the audience should also understand why this particular tour is being documented or released.
The page is especially appropriate where warm stage work is available. It has a dark, editorial direction, so it can carry photography of the artist in performance while the surrounding copy gives each release and date its place. The final form also means the page has a clear onward route for people who want updates about the presale, film or record.
The Hero opens with the artist name, the tour title and one photograph. Keep this restrained. The name must be recognisable, and the tour line should say exactly what is being announced. This is not the place for a long biography. It is the announcement that tells a visitor they have reached the official page for the run.
Tour follows with the heading for the territory and year, three photographs, a run of dates and a Get tickets button. This is the practical centre of the page. Each listed city needs to be ready before publishing, along with the ticket destination behind that button. If the project is not a conventional tour, use the same area for each residency night, gala or live engagement. The important thing is that the schedule reads as one clear run.
Concert, headed More than a concert, introduces the wider reason for the page. Its short supporting line, A global moment, shows the role this band should play: explain the scale or intent of the project in a few considered words, supported by one photograph. It should connect the live event to the film, record or release rather than repeat the date information.
Film gives the concert-film announcement its own space, using two photographs and a Watch trailer button. If there is a trailer, the destination needs to be live when the page is published. If the page supports a film without a trailer, the copy still needs to make clear what is being released and why the audience should follow the project.
Numbers is a short pause in the narrative. Use it for a small set of meaningful figures from the project, only where those figures are ready to be stated. Crew then names the people behind the work and has room for a line that gives the touring production some character. Supports, under On the road with us, follows with information that applies across the dates. Keep this current, particularly where the arrangements differ from one show to another.
Access is the practical information band. Its Good to know heading is where door timing, guest information and other audience guidance belongs. After that, Music gives the records their place in the story. The five-item list can carry the releases that lead to this moment. Journal, titled Notes from the road, provides a dated editorial update. It is useful for a short dispatch that makes the page feel connected to the tour rather than fixed at launch.
Questions brings the practical detail together in an accordion under Before the show. Use it for the questions that would otherwise distract from ticketing or the release announcement. Finally, List asks visitors to Join the journey. The form is for people who want presale, film and record news first. Its wording should make that promise precise.
The template has four colour schemes: Gold, Rose, Ice and Leaf. Choose one that works with the existing campaign material rather than trying to introduce a separate visual identity for the page. The page uses Playfair Display for display text and Inter for body copy. The available pairings also include Sacramento with Inter and Prata with Inter. A display face should support the artist name and major announcements; the body face needs to keep dates, access information and questions easy to read.
Seven photographs are needed across the page. One belongs in the Hero, three sit with the Tour, one accompanies Concert and two are used in Film. Prepare the selection as a set. The first image needs to introduce the artist. The tour images need to support the live dates. The concert and film images need to distinguish the release story from the schedule. Do not rely on one photograph to do all of those jobs.
Starting from this template costs no credits. Rewriting the copy with AI costs about 20 credits. A good brief names the artist or project, the exact tour or release title, the territory and dates, the ticket destination, and the purpose of the film or record. It should also state what the audience can expect from the list form.
Give the AI the material it needs to preserve accuracy: confirmed show information, approved credits, the records to list, access guidance and any road note worth publishing. It can then shape those facts into the short editorial register the template uses. Do not ask it to fill gaps in an unfinished schedule or unconfirmed release plan.
Start with the announcement line for the Hero and the complete schedule for Tour. Confirm what sits behind Get tickets and Watch trailer. Write the short explanation for More than a concert, then prepare the crew names, any figures for Numbers, the records list and the first Journal note.
The final practical work is often what holds a tour page up. Draft the answers for Before the show, review the guidance in Good to know, and decide exactly what presale, film and record news the form represents. Gather all seven photographs before the page is published, not one at a time after the copy has been approved.
For a concert promoter, put the venue run and ticket information at the front of Tour, then use Concert and Film to explain the event recording. For a cinema release team, make Film the main announcement and use the Tour dates as the live history or accompanying screenings. For a theatre or performance project, retain the date structure but rewrite Music as the body of work that led to the production.
For an artist releasing a live record, use the records list to establish the catalogue and make the concert band explain how the recording relates to the tour. In every version, the schedule and the release need to support one another. If either is only provisional, it is better to wait than present it as settled.
If the page only needs a schedule, Live Tour Dates is the closer starting point. For a conventional run centred on performances rather than a film, see Concert Tour Dates. If an album is the main release, Artist Album Tour may fit better.
A production-led page can start from Theatre Show, while a release with no tour schedule may suit Music Release Promotion. Browse the wider events templates collection for other event formats.
Starting from the theme costs no credits. Or describe the offer and the AI draws a new page in this style, usually in about two minutes.